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Session 2--Art Concepts and Techniques
  Art is the highest expression of aesthetic feeling of human beings to this world. Before holography, the visual culmination of beauty is demonstrated and transferred by the most famous work of paintings (Mona Lisa etc.), then pictures by photography, then movies of Hollywood (Star War etc.) and then TV programs, all of which wish to express three dimensional even four dimensional things we can feel from this world through only two dimensional display media by means of one dimensional treatment, full of themselves the specific art concepts respectively such as perspective, framing and focusing, montage, TV sitcom and so on. Compared with the above mentioned matured art forms, holography is rather like sculpture but by light. A lot of new art concepts about this completely new display media are expected in this session as your contribution to make this art form more and more accepted with its unique art fascination than ever, especially with the appearance of hologram printers.
· List for Reports and Papers
 Flying Colors
Author(s):Prof. Dieter Jung Emeritus, Academy of Media Arts Cologne ,Germany
 Visual Language and Technique in the Creative Holographic Domain
Author(s):Melissa Crenshaw Country of Residence, Canada ( USA citizen)
 Facing the Light: Holographic Portraits 3D
Author(s):Rosa Maria Oliveira Degree in Fine Arts-Painting from the Faculty of Fine Arts, University of Porto, Portugal , PhD from University of Aveiro, Portugal Luis Miguel Bernardo Professor at the Department of Communication and Art, University of Aveiro, teaching Art, Drawing, Theory of Color, Art & Science, Advisor of several PhD students of Studies of Art. Researcher of UNICA- Unity of Research in Communication and Art, University of Aveiro
 Immateriality, Invisibility and Restricted View-angle as Resources in Holographic Art Practices
Author(s):Rocio Garcia-Robles Computer Science Engineer,University Degree on Fine Arts, Lecturer at University of Seville,European Ph.D
 Historical Overview on Holography Art
Author(s):Rocio Garcia-Robles Computer Science Engineer,University Degree on Fine Arts, Lecturer at University of Seville,European Ph.D
 ‘Reinterpretation of Spectrum’ : Painting in Colors by Rainbow Control
Author(s):Park Joo Sup (Artist’s name: Ray Park) 3D Display Research Center, Department of Electronic Engineering, Kwangwoon University, South Korea.
 Choosing Holographic Replay Lighting for Aesthetic Effect
Author(s):Paula Dawson Dawson has held residencies at the Laboratoire de Physic et Optique Besancon, France, RMIT applied Physics Dpt. Melbourne Australia, the Holocentre New York and the Centre for Advanced Visual Studies MIT, Cambridge MASS
 Installation with Sunlight and Holography - As Environmental Art
Author(s):Setsuko Ishii Independent artist, 1-2-3-513, Kohinata, Bunkyo-ku, Tokyo 112-0006, Japan
 Optics and Laser Light, the Kinetic Viewer
Author(s):Maria Isabel Azevedo Visual artist
 Limited edition prints for Artists: Embossed holograms made from silver halide masters
Author(s):Dr.David Pizzanelli
 Zipsister and the Smoking Gun
Author(s):David Warren Australian artist with a BA (Fine Arts), MA (Holography as a Visual Art), Dip. Ed
 The Light Foundry: Past Present and Future
Author(s):August Muth The Light Foundry Inc.
 Holography: A Love Story
Author(s):Ana Maria Nicholson Director, Center for the Holographic Arts Long Island City, NY USA
 Generalized Fresnel Lens in Security, Light Managment and Holographic Packaging Applications
Author(s):Pawel Stepien, Marcin Badenski Polish Holographic Systems Krola 28, 04854 Warszawa, Poland
 ‘How did society react to the development of ‘pictorial illusion’ and how has the recent technology of Holography followed or differed from previous technologies?
Author(s):Rosetta Pierra Whitehead
 Indra's Net: A New Model of Dimension
Author(s):Sally Weber Massachusetts Institute of Technology (M.I.T.), Cambridge Master of Science in Visual Bachelor of Art in art history, Hartford, CT, MA
 HARRISON’S HOLOGRAMS: Stopping Time
Author(s):Prof. Martin Richardson Department of Imaging & Communication design, De Montfort University, Leicester
 Experiments in Image Composition for Synthetic Holography
Author(s):Jacques Desbiens École des Arts Visuels et Médiatiques (E.A.V.M.), Doctorat en Études et Pratiques des Arts Université du Québec à Montréal (U.Q.A.M.), Montreal, Quebec, Canada.
 Folding Spaces, Unfolding Action
Author(s):Martina Mrongovius PhD Candidate, Spatial Information Architecture Laboratory, School of Architecture and Design, RMIT University, Melbourne, Australia
 A Case for the Holographic Object
Author(s):Mary Harman visual artist
 LightRain Holographic Sculpture
Author(s):Betsy Connors Artist and educator with MIT. An alumna, MS '86, and former lecturer at the MIT Media Labs’ Spatial Imaging Group
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