Holographic Recording Materials have had been always one of the big obstacles for holography go to the practical application. After the invention of holography, from silver halide, DCG, photoresist, photopolymer to the recent reported photorefractive polymers for updatable holographic three-dimensional display, the matter has been improved so much that photoresist is now one of the main materials of embossing hologram industry, DuPont photopolymer has its practical use more widely, and the resuscitations of silver halide is expecting to continue its glorious history for photography at this historical moment. Actually, Holographic Recording Material could be thought as the unique effective antenna to receive optical information by means of hologram---the effective spatial coding of this information through inner (computer generated by artificial sampling) and outer (additional reference beam) differences. Color is actually the appearance of the temporal parameters of the visible light, i.e. the color of something in this nature is completely dependent on the temporal spectrum of the light which carries its visible information. The color of holography is far apart from the present three primary color recovering standardized by CIE (International Commission on Illumination) because of its inherent single temporal spectra treatment in technology by laser. The holographic color is composed of limited pure temporal spectrum colors not the standard natural color recovered by R, G, B three primary colors each of which has the strict definition about its abundant temporal spectrum composition. As holography is inherently a new science and technology which transfers the idea of communication theory from the temporal to space domain, your contribution to this session could be considered as the typically hybrid treatment of the photonic information to transcend across the time and space with the photon’s velocity as well as make holography no more mysterious for practical applications in future IT.